Campaign Metrics
| Metric | Value | Explanation |
|---|---|---|
| Views | 742 074 | accumulated campaign counter. |
| Declared Fund | $1 200 | rewards budget. |
| Approved Works | 84 | separate content counter. |
| Authors | 67 | by published counter. |
| CPM by Terms | $1.00 | rate per 1,000 counted views. |
| CPV by Rate | $0.00100 | equivalent per 1 counted view. |
Data snapshot 03.09.2026. CPV = CPM ÷ 1,000. This is a reward rate with admission conditions and limits, not the actual cost of the entire campaign. Fund does not equal expenses. Views are a total counter, not unique reach; approved works are counted separately. Views do not equal unique reach or sales. Conclusions about marketing mechanics are an editorial analysis; the presence of a campaign around a brand does not necessarily mean its direct placement.
In the Crooked Rows of Corn campaign, working with sound was an important part of the task. Authors were offered to take clips from a ready-made folder, remove the embedded audio track, and use the specified song recording options. As a result, various short publications had to maintain common musical content, even if the authors chose different fragments of the original video material.
Highlight editing provides a variety of images, and the specified audio recording links publications to one song. For music promotion, this is an important discipline: the viewer must hear exactly the version of the composition that the campaign refers to. Even a small technical instruction here supports the general meaning. The author can choose a fragment in their own way and build the beginning, preserving the musical center of the video. This approach is useful when materials come from different shoots or already contain their own sound that can distract from the promoted release.
If a specific version of the recording is important for your release, reflect this in the task. Launch a video clipping campaign on VibeVO, connecting different short videos with one musical basis.
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