Campaign Metrics
| Metric | Value | Explanation |
|---|---|---|
| Views | 454 447 | accumulated campaign counter. |
| Declared Fund | $1 150 | rewards budget. |
| Approved Works | 4 | separate content counter. |
| Authors | 2 | by published counter. |
| CPM by Terms | $1.00 | rate per 1,000 counted views. |
| CPV by Rate | $0.00100 | equivalent per 1 counted view. |
Data cut-off 03.09.2026. CPV = CPM ÷ 1,000. This is a reward rate with admission conditions and limits, not the actual cost of the entire campaign. The fund is not equal to expenses. Views are a total counter, not unique reach; approved works are counted separately. Views are not equal to unique reach or sales. Conclusions about marketing mechanics are an editorial analysis; the presence of a campaign around a brand does not necessarily mean its direct placement.
To promote the Set, authors were offered recordings of live DJ performances and materials from an approved folder. The brief required emotional editing, precise synchronization, and a strong opening. It was specifically stated to avoid adding official audio. Thus, the task was built around the provided performances and their processing into short publications capable of attracting interest from the very first seconds.
Editing highlights of a live set should preserve the feeling of musical development even in a short fragment. It is important for the author to choose a moment with expressive dynamics and assemble it so that the video is perceived as a whole. For a joint release, this is a way to introduce the listener to the track through a specific performance. The stage gives it context: the music is already playing within the performance, and the chosen shots help to feel its character. Such first acquaintance can leave an interest in the full recording and what happened next in the set.
Does your track have an expressive live performance? Launch a video clipping campaign on VibeVO and invite authors to preserve its energy in short edited versions.