Tag: ad bans

  • Content Repurposing: How SBA Recognition Will Change Influencer Budgets by 2027

    Content Repurposing: How SBA Recognition Will Change Influencer Budgets by 2027

    The moment has finally arrived when the creator economy has received official recognition. On October 15, the U.S. Small Business Administration (SBA) issued a directive that classifies qualified content creators under the same industry code as motion picture and video production studios. This is a historic step, confirming what marketers have long observed: content creators are full-fledged media businesses. Ahead of budget formulation for 2027, internal categorization of creator partnerships will determine the amount of allocated funds, as well as methods for measuring effectiveness and contract terms, especially in the context of content repurposing.

    New SBA Classification: What Does It Mean?

    The SBA has assigned qualified content creators NAICS industry code 5121, pertaining to “Motion Picture and Video Industries,” which grants them access to SBA loans and contracts. The scale of the change is immense: the SBA counts 27 million businesses led by content creators in the U.S. alone. This is not just a formality; previously, creators had to choose unsuitable categories to obtain funding.

    “Previously, a creator who shoots, edits, distributes content, and sells merchandise had to choose from industry categories that did not describe their work. Now there is a clear category for them to select on their application.”

    This recognition places creators on par with major film studios and streaming services, which is an accurate reflection of their activities. Large creators operate as full-fledged production companies with staff, sets, and regular shows. Smaller creators are often “one-person bands,” performing all roles, from scriptwriting and filming to editing and distribution.

    Why Is This Important for Brands and Marketers?

    For a long time, brands viewed partnerships with creators as experiments or a tool to increase awareness, funding them on an ad-hoc basis. Now that content creators are recognized as media businesses, the same standards should apply to them as to other media partners: sales, contribution to the sales funnel, and incremental growth.

    Budgets

    • Budgets for creators should be planned on par with budgets for paid advertising. According to the IAB, spending on advertising with creators reached $37 billion in 2025 and is growing four times faster than overall media spending.

Partnership Terms

  • Federal recognition, improved access to funding, and growing demand from brands give creators more leverage in negotiations. Influencers like Alix Earle are already reducing the number of partners, opting for more favorable terms. Long-term contracts or ambassador programs now are a chance to lock in current rates before they increase.

Contracts

  • If creators are businesses, contracts should be drafted accordingly. Working with the legal and procurement departments to update payment terms, scope of work, and content usage rights becomes critical.

How to Adapt Your Strategy for 2027: Checklist

Before finalizing your plans for 2027, three key checks need to be performed:

  1. Budget: Plan creator expenses alongside paid advertising expenses. Evaluate them using the same sales and funnel metrics.
  2. Partners: Identify key creators for long-term collaboration and offer them multi-quarter terms before their rates increase.
  3. Contracts: Update contracts to include clear payment terms, scope of work, usage rights, and “whitelisting.” Ensure everything complies with the requirements of the legal department, as the status of creators as taxpayers or employees does not change.

Content creators have long functioned as media businesses, and now this is officially enshrined. Brands that adapt their plans accordingly will be better prepared for negotiations in 2027.

Репурпозинг контента: Как признание SBA изменит бюджеты на инфлюенсеров к 2027 году — illustration 2

Frequently Asked Questions

What is content repurposing in simple terms?

Content repurposing is the process of transforming existing content into new formats or for new platforms. For example, turning a long webinar video into a series of short clips for TikTok, Reels, or YouTube Shorts. This allows you to scale content, reach new audiences, and extend its lifecycle without creating new material from scratch.

How does SBA recognition affect bypassing ad bans?

SBA recognition does not directly affect bypassing ad bans. However, when creators are perceived as full-fledged media businesses, it enhances their professionalism and work standards. This can indirectly contribute to the creation of higher-quality content that complies with advertising rules, which, in turn, reduces the likelihood of blocks. For video uniqueness and bypassing anti-plagiarism in advertising campaigns, technical solutions are still required, such as changing the video DNA, background, or voice timbre, to repackage creatives and create 100 unique ones from one.

Should you order a new video or unique an old one?

The choice between creating a new video and uniquing an old one depends on budget, goals, and resources. Ordering a new video from scratch can be costly and time-consuming. Repurposing and uniquing allow for significant savings by using existing material. For example, one webinar can be turned into 50 clips, adapted for different platforms and target audiences. This is an effective way to generate variations for A/B tests and scale content with minimal costs, especially when it comes to a uniquing package for mass launch of advertising campaigns.

What is “video DNA” and how to change it for uniquing?

“Video DNA” is a metaphorical term for the unique characteristics of a video file that can be used by algorithms to identify it. This includes metadata, visual and audio patterns, time codes, and other parameters. To change video DNA for uniquing and bypassing anti-plagiarism, various methods are used: re-encoding, changing resolution, adding or removing frames, changing playback speed, overlaying effects, changing the audio track, voice timbre, or background music. The goal is to deceive algorithms by creating a “clone” that will be perceived as new and unique content.

  • Video Uniqueness: How to Breathe New Life into the Open Web?

    Video Uniqueness: How to Breathe New Life into the Open Web?

    For a long time, it was believed that the open web was in a dying state. Banner blindness is ubiquitous, search engine traffic has dried up, and publishers are suffocating without oxygen. This consensus was so ingrained that even during the antitrust trial against Google, lawyers and the judge doubted the viability of display advertising on the open web in a few years. But is this really the case? In this article, we will explore how video uniqueness can breathe new life into the open web.

    The Open Web: Dying or Reborn?

    Eric Tilbury, VP of Programmatic Operations and Engineering Solutions at Inuvo, is confident: “Give me a sword, and I will be a champion of the open web.” He sees enormous potential in it, especially in terms of cost.

    “Display advertising is like a cheat code,” says Tilbury, “because it’s so much cheaper than all other channels.”

    And it seems that even seasoned ad buyers in “walled gardens” are beginning to reconsider their views.

    Why are “walled gardens” losing their appeal?

    Corey Dobbins, founder and CEO of Otherside, a programmatic e-commerce agency, previously led Shoelace, an agency specializing in paid social media, Shopify, and Amazon advertising. He was not an open web evangelist, even joking that banner CTR was comparable to CTV – that is, almost zero. However, the situation is changing.

    Modern social platforms, by implementing more and more AI automation, are reducing marketers’ room for maneuver. Prices are rising, and the number of control levers is decreasing. Dobbins compares this to the trash compactor from “Star Wars.”

    At the same time, programmatic advertising, despite its reputation, provides buyers with full control: choice of sites, audiences, bids, and all this for a much lower price. That’s why, according to Dobbins, “programmatic advertising is turning from a dirty word into something stylish and sexy.”

    Rethinking the Open Web and its Uniqueness

    The prospects for the open web significantly improve if we redefine its definition. Two years ago, The Trade Desk introduced SP500+ — a list of leading open web publishers. By their definition, “open web” includes any high-quality publisher that allows open programmatic campaigns.

    This list includes giants such as Disney+, Spotify, Samsung TV, LG, Comcast, Hulu. Expanding the definition is bearing fruit: programmatic advertising on the open web looks much more attractive when combined with streaming media.

    Video Matryoshka: From Vertical Videos to CTV

    CTV (Connected TV) is a key part of Otherside’s approach to performance marketing on the open web. Surprisingly, e-commerce marketers can take a few vertical videos from Facebook or Instagram that have performed well in social campaigns and repurpose them for CTV.

    The transition from widescreen TV to vertical video with a blurred edge effect “causes a context switch,” forcing the brain to pay attention to the change. Although people don’t click on TV ads, the impact of such a campaign increases brand awareness, leading to clicks during subsequent retargeting.

    • Adaptation for different social networks: the same creative can be “repackaged” for various formats.
    • Changing background and timbre: algorithms allow creating hundreds of variations from one source.
    • Bypassing ad bans: video uniqueization helps pass moderation.

    These approaches allow creating many unique versions from a single source material, which is critical for A/B testing and content scaling.

    Banner Advertising: Reboot

    Yahoo is also betting on the open web, striking deals with Microsoft and NBC to exclusively resell their display advertising inventory. Large media owners like Microsoft and NBC don’t want to bother with dozens of programmatic providers to monetize banner ads, which are widely believed to be worth almost nothing.

    Уникализация видео: как вдохнуть новую жизнь в открытый веб? — illustration 2

    Selling inventory this way “doesn’t look very good,” says Adam Singolda, CEO of Taboola, which offers a comprehensive solution. Taboola convinces companies to hand over their media inventory to them, promising to take on all the complex work.

    “This gives us an opportunity to make display advertising great again,” Singolda stated.

    However, the old open web with small websites and personal blogs will not return. People who used to create websites to showcase photos or bike blogs are now almost all social creators. They earn from affiliate programs and sponsorships on social platforms. And that, according to Tilbery, is a good thing.

    Honesty and Effectiveness of the Open Web

    At least the numbers of the open web are honest, which cannot be said about “walled gardens” that rate themselves. Marketers know that on “walled garden” platforms, they pay more while getting less in return. On the open web, it’s the opposite.

    When marketers place their ads on good sites with real traffic, they “show a much more powerful ad at a lower price” than they could find inside a “walled garden.”

    Perhaps it’s too early to write off the open web. Long live the open web!

    Frequently Asked Questions

    What is content repurposing?

    Content repurposing is the process of reworking existing content into new formats or for new platforms. For example, turning a webinar into 50 short clips for TikTok, Shorts, or Reels.

    How does video uniqueness help bypass ad bans?

    Video uniqueness involves changing its “video DNA” — adding filters, changing speed, cropping, repackaging with different audio tracks or backgrounds. This allows anti-fraud algorithms to perceive each creative as new, reducing the risk of a ban.

    Should I order a new video or unique existing one?

    A price comparison shows that making an existing video unique is often significantly cheaper than creating a new one from scratch. With the right approach, you can get 100 unique variations from one source, which is ideal for A/B tests and scaling.

    What technologies are used for content multiplication?

    Various algorithms and tools are used for content multiplication, allowing the video modification process to be automated. This can include changing the color scheme, adding or removing elements, changing voice timbre, as well as more complex manipulations with the “video matrix” to create “clones” of the original.

    Conclusion

    The open web is not declining but transforming. Content uniqueness and strategic video repurposing open new horizons for marketers. We see how old formats are given new life, and new technologies allow brands to scale their presence without colossal costs. It’s time to look at the open web as a powerful and economical tool. Contact us to find out how we can help you breathe new life into your content and maximize its reach!